Not much for me to say here. Panel 2, as David mentions below, was kind of difficult to do. Part of that is my fault, as when I write the scripts, I don’t always take into account the problems David might have portraying the scene. However, I have confidence that David will complain and tell me it can’t be done.

The foreshortened panel came out pretty well, don’t you think? The dog looks kind of like a mutant, but hey, he’s a dog spirit? He laughs at three-dimensional space. Ha-ha!

I’m really happy with the dialog placement this time. Lisa and I have a hard time coordinating that, and mostly it’s my fault for not thinking about where the dialog will have to go. Panel 2 is a case in point. I ended up using the bird’s eye view because that way, the dog, Phoebe, and Diana could all share a panel without Diana being in the way of Phoebe’s dialog.

Of course, I COULD just draw more panels, but that’s just crazy talk. (And seriously, I kind of like the 3 long panels per page. It reads well on a screen, and has the feeling of a letter-box movie. Which is entirely secondary to the fact that it means I only have to do three drawings per week.